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Whitethorn Woods
by 
Maeve Binchy
Various
  
Publisher: Books on Tape
Subject(s):  Fiction
Literature
Language(s):  English
Awards:  Romantic Times Career Achievement Award Winner
Romantic Times BOOKreviews Magazine
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Format Information

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Available copies:  
Library copies:  
File size:   184301 KB
ISBN:   9781415936702
Release date:   Mar 27, 2007


Description

Maeve Binchy once again brings us an enchanting book full of the wit, warmth, and wisdom that have made her one of the most beloved and widely read writers at work today.

When a new highway threatens to bypass the town of Rossmore and cut through Whitethorn Woods, everyone has a passionate opinion about whether the town will benefit or suffer. But young Father Flynn is most concerned with the fate of St. Ann’s Well, which is set at the edge of the woods and slated for destruction. People have been coming to St. Ann’s for generations to share their dreams and fears, and speak their prayers. Some believe it to be a place of true spiritual power, demanding protection; others think it’s a mere magnet for superstitions, easily sacrificed. Not knowing which faction to favor, Father Flynn listens to all those caught up in the conflict, and these are the voices we hear in the stories of WHITETHORN WOODS—men and women deciding between the traditions of the past and the promises of the future, ordinary people brought vividly to life by Binchy’s generosity and empathy, and in the vivacity and surprise of her storytelling.


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Excerpts

From the book

...

Father Brian Flynn, the curate at St. Augustine's, Rossmore, hated the Feast Day of St. Ann with a passion that was unusual for a Catholic priest. But then, as far as he knew he was the only priest in the world who had a thriving St. Ann's well in his parish, a holy shrine of dubious origin. A place where parishioners gathered to ask the mother of the Virgin Mary to intercede for them in a variety of issues, mainly matters intimate and personal. Areas where a clodhopping priest wouldn't be able to tread. Like finding them a fiancé, or a husband, and then blessing that union with a child.

Rome was, as usual, unhelpfully silent about the well.

Rome was probably hedging its bets, Father Flynn thought grimly, over there they must be pleased that there was any pious practice left in an increasingly secular Ireland and not wishing to discourage it. Yet had not Rome been swift to say that pagan rituals and superstitions had no place in the Body of Faith? It was a puzzlement, as Jimmy, that nice young doctor from Doon village, a few miles out, used to say. He said it was exactly the same in medicine: you never got a ruling when you wanted one, only when you didn't need one at all.

There used to be a ceremony on July 26 every year, where people came from far and near to pray and to dress the well with garlands and flowers. Father Flynn was invariably asked to say a few words, and every year he agonized over it. He could not say to these people that it was very near to idolatry to have hundreds of people battling their way toward a chipped statue in the back of a cave beside an old well in the middle of the Whitethorn Woods.

From what he had read and studied, St. Ann and her husband, St. Joachim, were shadowy figures, quite possibly confused in stories with Hannah in the Old Testament, who was thought to be forever childless but eventually bore Samuel. Whatever else St. Ann may have done in her lifetime two thousand years ago, she certainly had not visited Rossmore in Ireland, found a place in the woods and established a holy well that had never run dry.

That much was fairly definite.

But try telling it to some of the people in Rossmore and you were in trouble. So he stood there every year, mumbling a decade of the rosary, which couldn't offend anyone, and preaching a little homily about goodwill and tolerance and kindness to neighbors, which fell on mainly deaf ears.

Father Flynn often felt he had quite enough worries of his own without having to add St. Ann and her credibility to the list. His mother's health had been an increasing worry to them all, and the day was rapidly approaching when she could no longer live alone. His sister, Judy, had written to say that although Brian might have chosen the single, celibate life, she certainly had not. Everyone at work was either married or gay. Dating services had proved to be full of psychopaths, evening classes were where you met depressive losers; she was going to come to the well near Rossmore and ask St. Ann to get on her case.

His brother, Eddie, had left his wife, Kitty, and their four children to find himself. Brian had gone to look for Eddie--who now found himself nicely installed with Naomi, a girl twenty years younger than the abandoned wife--and had got little thanks for his concern.

"Just because you're not any kind of a normal man at all, it doesn't mean that the rest of us have to take a vow of celibacy," Eddie had said, laughing into his face.

Brian Flynn felt a great weariness. He thought that he was in fact a normal man. Of course he had desired women, but he had made a bargain. The rules, at the moment, said if he were to be...

 

Reviews

Joan Hinkemeyer, Rocky Mountain News...

"Binchy has an accessible, comfortable writing style and fine storytelling ability . . . [Her] stories of an Ireland in transition have pleased readers for years."

 
Margaret Quamme, Columbus Dispatch...
"Maeve Binchy is a benevolent god of a novelist . . . Whitethorn Woods draws on her strengths: She can channel Irish voices with the best of them, and each of those voices has its own twisting story to tell . . . often with verve and humor."
 
Melinda Bargreen, Seattle Times...
"Whitethorn Woods is a tour-de-force for Binchy, who seamlessly inhabits all these narrators and gets their individual voices pitch-perfect . . . By the time you arrive at the last page, you'll feel you know virtually everyone in [this] little corner of Ireland . . . Binchy is in top form."
 
Marjorie Kehe, Christian Science Monitor...
"What could be sweeter than a trip to [an] Irish village packed with robust native characters? That's exactly what Maeve Binchy offers in her latest novel . . . Love, longing, and rich scenes of daily life intertwine in this neatly constructed story."
 
Maude McDaniel, Bookpage...
"Stellar Irish novelist Maeve Binchy can display unexpected depths for a crowd-pleasing author . . . One soon becomes engaged in the lives of more than two dozen characters . . . Touches of humor enliven the account, but Binchy's chief stock-in-trade here is making relatively average lives colorful and worth our interest."
 
Library Journal...
"In classic Binchy style, many diverse characters tell their own, sometimes overlapping, stories . . . After [finishing], readers will want to call their mothers . . . An enjoyable peek into other people's thoughts."
 
Carol Haggas, Booklist...
"Binchy focuses her prodigious talent on a robust assemblage of characters embroiled in romantic and domestic crises. Inventively and intricately weaving a series of linked vignettes, [she] astounds with the versatility of the supplicants' voices . . . Binchy is at her best in this tender yet potent tale of a traditional land and people threatened and challenged by the forces of change."
 
Publishers Weekly...
"Binchy deliver[s] a panoply of richly drawn first-person characters . . . Stories of greed, infidelity, mental illness, incest, the joys of being single, the struggles of modern career women, alcoholism, and the heartbreak of parenting span generations, simply and poignantly. Binchy takes it all in and orchestrates the whole masterfully."
 
Kirkus Reviews...
"Binchy inserts questions of faith into her usual romantic braid of multiple storylines . . . These are often fully realized stories that stand on their own . . . Binchy's lilting Irish zest is undeniably addictive."
 
Martina Devlin, The Irish Times...
"What readers are buying into with a Binchy book is a unique environment: a world of warmth and compassion in which a kind heart is prized above a pretty face, family life is celebrated and qualities such as decency and initiative are rewarded. This is the milieu of her latest novel . . . Binchy has always had a knack for character . . . It takes a particularly skilful writer to engage the reader's sympathy [as she does] . . . These characters speak with their own voices directly off the page."
 
Wendy Holden, Daily Mail...
"Vintage Binchy. A touching, funny, optimistic book full of wonderful, well-observed characters."
 
Mairead Byrne, Irish Independent...
"Binchy [is a] national treasure . . . In Whitethorn Woods her particular gift for creating a world and then drawing you in is employed with her usual skill [and] just the right combination of warmth, gossip and insight into human nature . . . Always maintaining a sense of humour, she effortlessly makes the reader feel that they are returning to an old friend."
 
Aisling Foster, The Times (London)...
"For everyone who weaves in and out of these tightly made stories, a timeless search for love, money or perfect happiness continues to inject drama into the most humdrum lives . . . The charm is in the telling, often with the author's tongue held firmly in cheek."
 
Sheila Forbes, Daily News...
"Binchy has a special talent for bringing her characters to life and, in the end, drawing them all together in a very satisfactory way. An engaging read."
 
Lucille R...
"Warm and cosy as a turf fire . . . Whitethorn Woods is another feast for all those who love Maeve Binchy's books."
 

Digital Rights Information

OverDrive WMA Audiobook
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